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The original plates have seen many improvements over the years to achieve reverb times of up to six seconds and to reduce noise in the system for super-clean sounding reverbs. Waves Abbey Road Plates models the original reverb plates first installed in Abbey Road in 1957 as a means of offering different flavours of reverb in addition to their chambers. Plate reverbs have been around for a very long time to be more specific, they were first introduced in the 1950s and have been the reverb of choice for many engineers ever since. We could attempt to describe the types of sounds you can get out of a Bricasti, but instead, we recommend you spare a couple of minutes to listen to the examples using Seventh Heaven below. The factory impulse response library is quite large, so be sure to have suitable storage available on a drive you intend to store the IRs in.
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The only time you’ll notice you are using a convolution reverb in the Seventh Heaven experience is when you download the installer and content.

The UI is well-developed and super-responsive. Compared to algorithmic reverbs, convolutions can have a habit of being slow when loading impulse responses, scrolling through presets or changing control values. Seventh Heaven is a convolution reverb as does an incredible job of hiding that fact.
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You won't see much change out of $4,000, but if you are keen to get some M7 magic in your mixes without breaking the bank, then LiquidSonics Seventh Heaven Professional is the only way to go. Those who don't even know what an M7 even looks like in the flesh seem to know that Bricastis are well regarded. Those lucky enough to own a Bricasti swear by them. Though not considered a celebrated vintage reverb yet, over the years, this particular reverb unit has gained quite a fan base thanks to its classy set of sounds and straightforward interface. If you ask ten or so audio engineers to recommend a hardware reverb unit, many would point you in the direction of a Bricasti M7. It encapsulates a significant chapter in audio production in which digital effects proved their worth and flexibility the rest you could say is history. Modern algorithms, unlike the vintage algorithms and indeed the original hardware, use a higher bit-depth for cleaner reverb tails.Įventide SP2016 is more than just a plug-in emulation. The Modern algorithms for each reverb type are, by comparison, brighter and more diffuse. If vintage reverbs are selected, the effects will sound faithful to the original hardware.

In the plug-in, all the reverbs have an option of two algorithms which achieve slightly different variations of sound.

Like the original hardware, the SP2016 includes emulations of Room, Stereo Room, and Hi-Density Plate algorithms. Listen to our video review below to hear the SP2016 plug-in in action to judge for yourselves. Eventide says the reverb sounds in the SP2016 are based on a blend of art and science with effects sounding natural and distinctive. In 2018, Eventide rereleased the SP2016 in plug-in form. Some believe the original SP2016 unit introduced the idea of a plug-in workflow in audio production as this featured hardware chips that users plugged inside the device. By merging Universal Audio’s analog/tube know-how and its digital mastering expertise, the Precision Maximizer is an essential tool for every mixer’s toolkit.The SP2016 plug-in is a like-for-like emulation of Eventide’s original SP2016 hardware, which, back in 1982 when it launched, was the first-ever studio-centric effects box. For years, the Precision Maximizer has been a go-to for Grammy-winning mastering engineers like Paul Blakemore and project studio engineers looking for a quick polish on a rough mix. The Precision Maximizer for UAD-2 hardware and Apollo interfaces is an easy-to-use dynamic impact processor that magically increases perceived loudness, without destroying your track’s all-important dynamic range. It includes Cambridge EQ, Galaxy Tape Echo, Precision Maximizer and many more.
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UAD Ultimate 8 Full Bundle includes more than 100 VST Plugins developed by U Audio.
